GLASER: Isn’t it that there’s no gestation, that there’s just an idea?
[..]
STELLA: But we’re all still left with structural or compositional elements. The problems aren’t any different. I still have to compose a picture, and if you make an object you have to organize the structure. I don’t think our work is that radical in any sense because you don’t find any really new compositional or structural elements. I don’t know if that exists. It’s like the idea of a color you haven’t seen before. Does something exist that’s as radical as a diagonal that’s not a diagonal? Or a straight line or a compositional element that you can’t describe?
[..]
STELLA: It’s just that you can’t go back. It’s not a question of destroying anything. If something’s used up, something’s done, something’s over with, what’s the point of getting involved with it?
JUDD: Root, hog, or die.
[..]
GLASER: Reductio ad absurdum.
STELLA: Not absurd enough, though.
JUDD: Even if you can plan the thing completely ahead of time, you still don’t know what it looks like until it’s right there. You may turn out to be totally wrong once you have gone to all the trouble of building this thing.*